SOUND REQUIREMENTS

SKYNNYN LYNNYRD requires the following minimum sound accommodations:

Adequate power amplification head-room is required to mix this band with full dynamic range.

SL does not use or prefer effects processing in the FOH mix.  We believe "less is more" in this regard.

SL Guest Sound Engineer will assist with set-up and is responsible for the final mix.  He will work with your in-house Sound Engineer to obtain a full, rich, detailed and "easy" sound for the show.

SL Productions may supply professional-grade sound reinforcement for your event upon request.

Qty                   Description

 1                     Condenser Microphones – Drum Overhead – Cymbals

1                     Condenser Microphone – Hi-Hat

1                     Kick Drum Microphone - AKG D112

1                     Snare Drum Microphone

5                     Tom-Tom Microphones

3                     Instrument Microphones – Guitars – Shure M-57 or Equivalent

4                     Vocal Microphones – Shure M-58 or Equivalent

2                     Direct Input (DIs) – Keyboards - Unbalanced TRS to Balanced XLR

19                    Mixer Channels - 21 Minimum with 4 Aux sends;  24 preferred

 4                     Wedge Monitors – 4 - Stage left, center, right + 1 Drums

 2                     Reverse X (Side) Fills – Large Stage - L mix of Rt, Rt mix of L

• Active crossover Mains required.  Consumer grade systems are not acceptable.

• 31 Band Equalization is required for indoor venue Mains.

• Power requirements are dependent upon size of venue.

• No FOH effects required.

SLR Productions prefers and employs Martin Audio speaker systems.

Please contact SLProd Management for questions or additional information.

Pro Sound System available upon request.

© SKYNNYN LYNNYRD PRODUCTIONS 2006